KANYE WEST THE LIFE OF PABLO FULL

What’s also striking on “Pablo” is the way in which Mr. “Feedback” and “Fade” show a comfort with accelerated tempos, while the digital steam bath on “Father Stretch My Hands Pt. West’s label who raps with the callous distance of Future). “Facts” suggests he has fully internalized Drake and Future’s “What a Time to Be Alive” (as do the collaborations with the Brooklyn rapper Desiigner, a new signee to Mr. Like many West albums, “Pablo” is a group effort. That is true in the music on this album, as well. West’s willingness to rap about her in this way is a reminder that nothing is more important to him than his right to his excesses. West healed their yearslong feud last year, but Mr. Swift either did or did not sign off on this line.) Ms. The line is both tacky and hilarious, a piece of celeb-slash-fiction that’s both casual boast and extravagant provocation.

KANYE WEST THE LIFE OF PABLO FULL

West’s extended family - his wife is Kim Kardashian - calling them “the new Jacksons.” And “Famous” is vintage West braggadocio, full of spite and cheek, though the conversation about that song has been limited to its mention of Taylor Swift: “I feel like me and Taylor might still have sex/Why? I made that bitch famous.” The delirious “Highlights,” featuring Young Thug, is a tabloid boast about Mr. “Facts” is an elongated tirade against Nike, the sneaker company he once collaborated with, before Adidas offered him a boatload of money and creative freedom. Here is a guy who slips a rhyme and hubris exercise like “I Love Kanye” in the middle of his album, an interlude that’s also a rant that’s also a barometer of public opinion that’s also a wink: “What if Kanye made a song about Kanye/Called ‘I Miss the Old Kanye?’/Man that’d be so Kanye.” West can be whispering dark fears one minute, then beating his chest with pride the next - even his exaggerations are intimate acts. This sort of vulnerability usually comes without self-awareness, but Mr. West is a progenitor of, dating back to “Jesus Walks” - is here on “Ultralight Beam” and “Father Stretch My Hands Pt. Cole and Kendrick Lamar - the one that Mr. 2,” he recalls the family problems that steered him off course, and tries to make amends: “Up in the morning, miss you bad/Sorry I ain’t called you back/Same problem my father had.” Also the Christian streak that runs through the work of Chance the Rapper, J. On “Pablo,” there is genuine pathos on “Real Friends” (“When was the last time I remembered a birthday?/When was the last time I wasn’t in a hurry?”) and “No More Parties in LA.” On “30 Hours,” over a frail Arthur Russell sample, he raps about how hard he used to work for love, or something like it. West’s primary subject matter remains himself, both his internal life and his external character. And so, now, you can only measure Kanye West against his own audacity - even the artists whom he’s inspired and influenced don’t operate on his scale.

Kanye west the life of pablo